Nolan and Snyder to oversee Justice League

Latino Review reports today that the future of any Justice League project could be over seen by the team of Christopher Nolan and Zack Snyder, with Nolan as producer and Snyder directing.

This has always been dependent on how the upcoming Superman film, Man of Steel, does at the box office. If all goes to plan and it generates a significant amount of cash for Warner then a Justice League film could swiftly be put into production.

justice league

The site claim: “Christopher Nolan has completely taken over the DCU at Warner Bros, anything having to do with these super heroes, goes through him now.”

Warner would also be hoping to persuade Christian Bale to return to the Batman role with Henry Cavill playing Superman, the Justice League film would focus on the relationship between those two characters.

I would love for this to come true, and then to blow Joss Whedon and The Avengers right out of the water. However, with Nolan stating that he’d done all he could with The Dark Knight it would seem unlikely he would be open to any links back to Gotham.

We can only hope that this rumour builds some momentum behind it, and that Man of Steel does well enough at the box office.

Man Of Steel will open in the UK on 14 June 2013.

Source: Latino Review

The Dark Knight Rises – 2012

Eight years on, a new terrorist leader, Bane, overwhelms Gotham’s finest, and the Dark Knight resurfaces to protect a city that has branded him an enemy.

Directed:

Stars:  Christian BaleMichael CainGary OldmanTom HardyAnne Hathaway and Joseph Gordon-Levitt

What we think: So the curtain finally comes down on Christopher Nolan’s Batman trilogy, and what a trilogy it has been and what an adventure we have been treated to over the last few years.

The franchise was left in tatters at the end of the late 1990s no thanks to Joel Schumacher’s quite frankly god awful interpretation, films which we hope will never ever be spoken about after this point.

With The Dark Knight Rises, eight years have passed since Batman disappeared into the Gotham night after taking the blame for Harvey Dent’s death. Dent is now hailed as a hero for ridding the streets of organized crime, while Batman is condemned as the villain.

Bruce Wayne has been hiding out in Wayne Manor (now rebuilt), not wanting to show his face he keeps a low profile and to one part of the house, he’s aided by a stick, the years of punishment fighting crime have clearly taken their toll. When a new terror arrives in the shape of Bane (Hardy) Wayne must decide what it is he is really fighting for, and if he is still ready to accept the mantle of the bat if Gotham will have him back?

The Nolanverse as its now often referred to is immense; the film opens with an unbelievable sequence in which Bane takes control of a plane with a plot to kidnap Dr. Leonid Pavel.

What’s even more mind bending is that at no point does there look like any CGI is required. During which, henchman skydive from one plane hooking it up to a much larger one leaving the plane’s hull dropping out to reveal Bane and Pavel hanging in the air.

The Bat takes flight

When Batman turns up for the first time he rides in on the Batpod in hot pursuit of Bane and his army making a getaway on motorbikes. Followed by Gotham’s Finest one of them says “boy, you are in for a show tonight,” and he’s not wrong as the Batpod revels a neat trick for turning sharp corners.

We also get our first look at The Bat, a very impressive piece of aviation hardware that slots nicely into Nolan’s Bat-verse. Batman of course cannot wait to pilot this and so it’s introduced pretty early on and is a very integral part of the story. The Tumbler, or should we say Tumblers get their return as well, although in the wrong hands.

Bane is the perfect foe for The Dark Knight in every sense of the word, he’s bigger, badder, and cut from a very similar cloth mentally (you’ll have to delve into the League of Shadows). The fan boys will know exactly what is coming for our hero once he is confronted by the huge form, as Bane breaks a hole in Batman’s cowl you know it’s not going to end well, more so when he’s held aloft.

Hardy put on 30lbs for the role and it shows, as he towers over everyone he shares the screen with. His voice is not what you’ll be expecting, think of a very polite and slightly camp Darth Vader, sometimes incoherent it does work extremely well however once you get used to it.

While we know the Joker is still very much alive you can’t help but wonder what he must have been thinking from wherever he was? Had Heath Ledger still be with us I am very much in the belief that Nolan would have included him in some guise, even for a few moments so we could again relive that amazing and sinister performance. Alas its not to be, but Bane holds his own more than admirably here.

Nolan has not overlooked the more sensitive issues and Michael Caine delivers some of the more poignant heartwarming moments. As Alfred he has been by Bruce’s side and is his conscience and at times the voice of reason, so he’s notably devastated to learn that Bruce will carry on as Batman and Bruce is equally hurt by Alfred’s revelation about the letter to Rachel.

The cast list is a star studded one, Freeman is back as Lucius Fox still looking to show Bruce Wayne what’s hiding downstairs in the weapons cache “just for old time’s sake”. Oldman is excellent as dedicated Commissioner Gordon, still very much the defendant of Batman as the hero, he too is overcoming his own personal problems from the fall out with Harvey Two-Face.

Two other characters stood firmly out for me, Hathaway as Selina Kyle aka Catwoman (although she is never referred by that name during the film) and cop turned Detective John Blake (Gordon-Levitt).

Hathaway was more than capable of pulling off this role; she’s devious in her own gains and is desperate to rid her past life. She can also handle herself as the bar fight would suggest in one of the film’s earliest action sequences.

Blake is an eager cop with amazing detective skills and Gordon-Levitt was perfectly cast in this role. He’s worked out Batman’s alter ego and even has time to offer him a few choice words of advice. Wayne however sees something more in him, perhaps as a possible protégé.

Batman finally meets his match in Tom Hardy’s Bane

A small criticism if any would be the somewhat brief seduction of Bruce Wayne by Marion Cotillard’s Miranda. At face value this is a beautiful potentially lethal femme fatale with a hidden past almost as dark as Bruce himself. To head into anymore detail would spoil things.

Nolan once again takes the writing duties accompanied by his brother Jonathan of which the pair has created a truly mesmerizing story and a perfect ending to the previous two films.

They have really connected with all the characters and the dialogue is believable and at times sympathetic. They have given Batman a sendoff deserving of a superhero, made him realize his true calling when he feared that Gotham may no longer want a Dark Knight as their protector.

The closing of the film was the most enjoyable, and it will no doubt be talked about for some time to come. The final few minutes sets up resolutions for a few of the characters, and may even introduce a new one (our lips are firmly sealed on that).

It’s a perfect way for Nolan to close the door on the Batcave, lock Wayne Manor and put the Bat suit back in its glass case, ensuring he leaves having completed one of the greatest superhero trilogies of all time. To leave the final words to Nolan himself he said: “ I will miss the Batman. I like to think that he’ll miss me, but he’s never been particularly sentimental.”

View the trailer

Rating: (5/5)

Visit the IMDb page for The Dark Knight Rises

Please feel free to leave a comment about this film, we would love to know what you think and we’ll do our best to respond!

The Dark Knight Rises has epic run time

There is not long to wait now Batman fans, with The Dark Knight Rises set to hit screens at the end of July. One thing worth noting is the epic run time it will have, which is a little under three hours!

The announcement comes from the BBFC who have released details on running time and certification.

The film, which will be the last one in the trilogy for Christopher Nolan, will last for a mega 164 minutes and 27 seconds – so head to the toilet before hand and forget about ordering any large cokes!

The film will be a 12a rating with no cuts made and “contains moderate violence”, which has again been confirmed by the BBFC.

The Dark Knight Rises stars Christian Bale, Joseph Gordon-Levitt, Gary Oldman, Tom Hardy, Liam Neeson, Anne Hathaway and Marion Cotillard.

It’s out July 20th so if you’ve not booked you better do so now!

Source: Filmoria

Six immensely wicked Dark Knight Rises posters

The Dark Knight Rises promotional push looks to be gathering some momentum with the release today of six ultra cool character posters.

The one-sheets feature Batman, Catwoman and Bane and each has a pair between them, the first three show each character cloaked in darkness while being lashed with rain and what appears to be rubble.

The next three show each character in ‘stare off’ pose looking out into the distance somewhere, with the tagline “The Legend Ends” at the top.

We particularly like the Bane posters, especially the darker of the two, Tom Hardy just looks so badass. We also have a soft spot for Anne Hathaway straddling the bat bike, will she be able to pull off a sexier Catwoman than Michelle Pfeiffer?

The Dark Knight Rises opens in the UK on 20 July 2012.

Check out the posters below…

 

 

 

 

 

Source: Total Film

Oscar Predictions 2011

The Oscars are almost upon us and speculation is high as to who is going to walk off with the coveted gold statue in their chosen category.

The competition is more fierce than ever in most of the categories, although why anyone other than Toy Story bothers to turn up for Best Animated film is beyond me.

Many will predict The King’s Speech to preform well especially after it dominated at the Globes and BAFTAS but with many things in life I like to see an upset, and I’m sure there is going to be more than one surprise on the night.

So lets have a look at the main categories that everyone is going to have their eye on.

Best Picture

Contenders: Black Swan, The Fighter, Inception, The Kid’s Are All Right, The King’s Speech, 127 Hours, The Social Network, Toy Story 3, True Grit, Winter’s Bone

Who we’d like to win: Inception was my favourite film of last year, it had everything from brilliant cinematography, special effects and a water tight script that even though it seemed over complicated was easy to follow. Despite Nolan not being nominated for Best Director it would be fitting if his film walked off with Best Picture.

Who’ll actually win: The King’s Speech and The Social Network are going to be fighting this one out, both have done well at previous awards with David Fincher pipping Tom Hooper to Best Director at the BAFTAS while Hooper’s film dominated the rest of that particular night.

The acting was exceptional from both and it would be hard to call, however I think The King’s Speech will have too much in the end.

Best Actor in a Leading Role

Contenders: Javier Bardem, Jeff Bridges, Jesse Eisenberg, Colin Firth, James Franco

Who we’d like to win: It’s not that I have any animosity towards The King’s Speech I just feel that there are so many films that got over looked. However, in this list there is only one man who stands out, and while we’d love to see someone like James Franco or Jesses Eisenberg win, this award is going back across the pond.

Who’ll actually win: No question at all the Colin Firth deserves this one, it was be a major upset if he didn’t get it. His performance of a stuttering King George VI was sublime and paramount to the film’s global success.

Best Actress in a Leading Role

Contenders: Annette Bening, Nicole Kidman, Jennifer Lawrence, Natalie Portman, Michelle Williams

Who we’d like to win: There are some experienced actresses here with Annette Bening being nominated for the fourth time and Nicole Kidman already a past winner. But they face stiff competition from the other three of Lawrence, Portman and Williams. Honestly we’d love to see Williams or Lawrence take the award but those odds are just too far off reality.

Who’ll actually win: Natalie Portman’s dedication (she put herself through ballet school self funded) to this film is conveyed in her performance of both the white and black swan.

Best Actor in a Supporting Role

Contenders: Christian Bale, John Hawkes, Jeremy Renner, Mark Ruffalo, Geoffery Rush

Who we’d like to win: For us Christian Bale is most deserving of this category, like Portman his dedication to his roles has been plain to see from the likes of the The Machinest to Rescue Dawn. Here again he shed more weight and looked a different man to play heroin addict and former boxing great Dicky Eklund.

Who’ll actually win: Bale scooped the Golden Globe for this one back at the start of the year and may just edge it here, but I wouldn’t count out Geoffrey Rush.

Best Actress in a Supporting Role

Contenders: Amy Adams, Helena Bonham Carter, Mellissa Leo, Hailee Steinfeld, Jacki Weaver

Who we’d like to win: Having been suitably impressed with The Fighter there is good reason for the likes of Amy Adams and Mellissa Leo to be in strong contention for this one. The young Hailee Steinfeld also put in an experienced and assured display despite her relatively young age in True Grit.

Who’ll actually win: There is only one woman who is going to take this crown, and Helena Bonham Carter is all but guaranteed this one.

Best Director

Contenders: Darren Aronofsky, David O. Russell, Tom Hooper, David Fincher, Joel Coen and Ethan Coen

Who we’d like to win: Christopher Nolan…oh wait he’s not been nominated! We can’t quite work out why he’s been overlooked but that shouldn’t detract from the talent that have been nominated. David Fincher threw a cat amoungst the pigeopns by taking the gong at the BAFTAS when all thought Tom Hooper was going to get it.

We’d love to see Fincher make it back to back wins, but something in the air tells us it might not go according to plan.

Who’ll actually win: We’re going to stick our neck on the line here and go with Aronofsky. Black Swan was a brilliant film and is certainly one of the outside chances I think this will be one of a few Oscar surprises on the night.

Music (Original Score)

Contenders: John Powell (How to Train Your Dragon), Hans Zimmer (Inception), Alexandre Desplat (The King’s Speech), A.R. Rahman (127 Hours), Trent Reznor and Atticus Ross (The Social Network)

Who we’d like to win: These are the guys that put the added moments of tension or create vast amounts of emotion throughout a film. Best Musical Score is always hotly contested and there are some great contenders here, ideally we think Hans Zimmer should collect this one. He has worked on some of the biggest film blockbusters over the years and produced some memorable music to which are now famous.

Who’ll actually win: It might be another of the close calls, Alexandre Desplat is sure to be up there and even Trent Reznor and Atticus Ross for The Social Network might get a look in. Desplat won the BAFTA for Best Score at the start of the year so I’m wondering if this will carry into the Oscars.

I can’t separate Zimmer or Desplat, but personally I’d lean more towards Zimmer.