Iron Man 3 – 2013

im3When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

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What we think: First off, I had to flip a coin to decide between this and Star Trek as to which would be the entertainment of choice for a Saturday night, sadly I wish I’d gone to see the latter.

That is not to say that Iron Man 3 doesn’t deliver entertainment value to an already successful franchise, it does, but parts of it frustrated me and left me wondering….why!?

Jon Favreau stepped away from completing his directorial trilogy and handed the reigns over to Shane Black, wanting to focus more on his character Happy Hogan (he needn’t have bothered).

A writer initially, Black had brought Lethal Weapon to life as well as other first class action films, but in terms of directing he’d only done one film previous to this, Kiss Kiss Bang Bang.

It was a solid capture and as he’d already worked with Downey Jnr. before it was a safe bet he’d be able to get the best out of the screenplay, which he helped co-write.

In this outing, the first Marvel film post Avengers, Tony Stark is going through a few issues  as a possible result of his heroic deeds in New York.

He’s having trouble sleeping and spends most of his time tinkering with his vast array of suits, as he looks to develop a new suit where the parts fly to him and recombine on his body.

His relationship with Pepper Pots is shaky at best, and he tries to reassure her that all is well when she knows very well that it’s not.

The film starts off in 1999 where the playboy, billionaire (you know the rest) is partying it up ready for the new Millennium. When he’s accosted in an elevator by Aldrich Killian who proposes that he invest in his new scientific project, Advanced Idea Mechanics (AIM).

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Stark arrogantly brushes him off and in doing so sets the events in motion back in 2013 where things are about to go from bad to worse for him.

The film has some epic action sequences, the destruction of Starks Malibu mansion is the pick of them, leaving you not a moments breath as everything comes crashing down around Stark.

The attack on the Presidential plane Air Force one was another slick visual, and the film’s climax, well, that followed the blue print for most Marvel films.

And so to the villains of the piece, Aldrich Killian, his crippled introduction reminded me very much of a certain Edward Nigma in Batman Forever, who by being swept aside by another popular playboy billionaire turned him into a revenge fueled nutcase.

Guy Pearce never really pulled it off, nowhere near a convincing villain as he could of been, especially when you’ve seen him in Lawless where he was by far and away more terrifying.

Then there was The Mandarin, a character so underused and wasted it should have a been a crime. Ben Kingsley’s initial entrance as the great nemesis to Iron Man should have been a welcomed delight for fans of the comic books.

His dark back story as a ruthless terrorist beset by inflicting destruction on the west made it seem like he was going to be the central villain to Pearce’s Aldrich Killian, and maybe he was (in some ways).

Despite quite a good turn from Kingsley, it was a missed opportunity to capitalize on a character who could have done what the Joker did for The Dark Knight.

Added to that Eric Savin (James Badge Dale) Killian’s right hand man and muscle who underwent the Extremis treatment to boost his combat skills, also misses out on some tasty back story.

According to comic folklore Savin was converted into a cyborg called Coldblood who could manipulate his way mentally into any computer system, sounds pretty exciting. The closet thing to Savin looking like a cyborg was when he donned Iron Patriot’s armour.

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It would clearly seem then that Black and co-writer on the screen play, , wanted to take the story and character development down a different path, how that has sat with the fan boys is anyone’s guess?

There is a lot going on in Iron Man 3, it feels like Black wanted to make the most of being trusted with such a massive budget, and on the whole I think he did a pretty good job.

But parts just felt flat, there was far too much humour going on that it sided more to action comedy than action drama. But then that is the tone which has long been running through all these Marvel films.

I prefer the darker side and characters with grit, psychopaths with a disturbed pasts, here that was all but non existent. I had high hopes for this and it dropped the ball on more than one occasion, maybe I should have been beamed up after all?

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The Intouchables – 2011

the intouchablesAfter he becomes a quadriplegic from a paragliding accident, an aristocrat hires a young man from the projects to be his caretaker.

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What we think: So far I don’t think there has been one foreign film that I have watched that I have not liked, or that has not moved me in some way.

It’s good to be able to pull away from the main stream Hollywood films and delve into another language.

This time I went for French and this heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond.

Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.

Looking to show the benefit office that he is trying to find work so he can claim is not the easiest way to make money.

On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.

During an interview process to find his next carer in which Driss waits the pair seemingly hit it off, and so begins a wonderful and awe inspiring story.

Driss who has never really had a need to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.

Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important.

There is no particular story in this to adhere to, it’s about the growing relationship between the pair and how important they realise they are to each other.

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Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.

When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date.

The pair force each other to step out of their comfort zones and to realize there is so much more in life.

The film’s serious nature is broken in parts by some beautiful light hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.

When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever.

Based on a true story it’s a brilliantly written and well directed film that tugs at the heart strings, but will have you smiling all the way through.

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Jack Reacher – 2012

jack reacher posterA homicide investigator digs deeper into a case involving a trained military sniper who shot five random victims.

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What we think: Now, I’m not really a big fan of Tom Cruise, but ironically I have enjoyed most of the films he’s done.

Don’t ask me why, I just am, but there is no law that says you still cannot enjoy a film whether you dislike the lead or not.

Cruise plays the title name, a drifting former military officer who is practically a ghost as most people cannot find him, and he’s not the type of person to want to be found.

Here however, after a blistering and quite brutal opening sequence where a sniper picks off random targets from a parking lot, the accused, James Barr () is bang to rights, and the case against him all but concrete.

While the District Attorney and Detective look to wrap up the case the accused calls for Reacher, who himself has already seen the news and is on his way to bury him.

When Reacher starts to dig a little deeper into the case with help from Barr’s defence attorney Helen (Pike) its clear that things are not all what they seem, and there is the possibility that he might be genuinely innocent.

Many would think that Reacher is coming to save Barr but this is not the case, Reacher firmly believes Barr is guilty having got away with a crime years earlier, only getting off on a technicality.

The film is not complex, but its well written and littered with clues that point to another sniper one that is following orders from aging Soviet gulag survivor called The Zec played by Werner Herzog.

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Yes, you heard right there, German director Werner Herzog, who showcases some pretty decent acting skills when called upon. As to the real reason as to why he’s there is as shady as he is, but there is no doubt its an usual casting choice but one that pays off.

Cruise meanwhile still shows that he’s got the physique and ability at his age, strutting topless in front of Pike who calls for him to put a shirt on and dispatching a group of bar thugs all just seem to be another day at the office.

One of the high points of the film was Cruise being reunited with  (think Days of Thunder). Duvall’s late cameo as a gun range owner probably comes at the right time, and the pair rift well off each other through to the films conclusion.

Rosamund Pike oozes some Bond girl sex appeal and McLane Junior  is fairly menacing as The Zec’s obedient henchman.

The action is well placed throughout, the car chase is exceptional and pumped with muscle quite literally, the fight scenes are brutal containing everything from eye gouging to baseball bats cracking against skulls, not much is held back.

Many might think that Cruise was miscast for this one, after all Reacher is well over 6 foot. But both Cruise and McQuarrie can stand tall and be proud of a gritty thriller that very much fuses the Bond and Bourne archetypes.

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Please feel free to leave a comment about this film, we would love to know what you think and we’ll do our best to respond!

The Hobbit: An Unexpected Journey – 2012

hobbit posterA younger and more reluctant Hobbit, Bilbo Baggins, sets out on an “unexpected journey” to the Lonely Mountain with a spirited group of Dwarves to reclaim their stolen mountain home from a dragon named Smaug.

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What we think: The first time I read The Hobbit was at school, I used to judge a book by how many pages it had and how long it was going to take me to read it. Suffice to say I never ever got through The Lord of the Rings.

The Hobbit on the other hand I did enjoy, maybe in part to it being on our reading list at school. As a child you had to have a pretty vivid imagination, but you’d never have imagined that decades later it would be brought to life on screen.

The film itself was in production hell and when Guillermo del Toro left the project it was a wonder if it was going to get off the ground at all, but then Peter Jackson stepped in and saved the day.

What he delivered was a spectacular first part to another fantasy trilogy, as Bilbo Baggins sets out on an adventure with a group of dwarves and a wizard called Gandalf as they look to reclaim their stolen mountain home of Erebor from a dragon named Smaug.

Both Ian Holm and a digitally younger Frodo make a first appearance at the start as older Bilbo settles down to pen his story giving us a look at the events leading up to the arrival of Smaug.

Then it cuts to 60 years previous as a young Bilbo sits perched beneath the calming surroundings of the shire, smoking a pipe and engaging Gandalf for the first time.

The Hobbit reaffirms just how good the existing LOTR trilogy was and how much detail went into creating the mystical settings and characters, both through costume and make-up to CGI.

Jackson has his work cut out in this one as he has to juggle a large number of on screen protagonists including thirteen dwarves, but they all get the right amount of screen time that sets their character traits out for the rest of the film and the trilogy.

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Set in the dark caves it was great to see Gollum again, a slippery character so innocent on one hand and yet so deviously cunning on the other.

Credit goes to Martin Freeman for his performance throughout, and to Peter Jackson again who made sure that he got his leading man. Freeman’s portrayal of the set-in-his-ways hobbit was exceptional and I cannot wait to see the remaining two films.

Freeman’s career has catapulted him from bit part actor to thespian standout, and his turn here as Bilbo will see his stock rise.

We also get a glimpse of the ring, that small golden band which turns Bilbo from quiet and reclusive hobbit into cunning thief and hero. He’s not completely welcome as part of this band of brothers and here he really has to stand on his own two hairy feet as he engages Gollum’s deceptive riddles as well as getting time to enjoy a pulsating last act.

The scenes of battle are well-choreographed and visually stunning as you’d expect, from the destruction of Erebor by Smaug to the battle between dwarves and orcs at Moria they fit into the films narrative so well.

The introduction of the lead Orc Azog adds another dimension to the story, see the battle of Moria for the full back story. Azog is only mentioned briefly by Gandalf in the book and so his appearance, and let’s be fair, significant amount of screen time is probably not needed in the grand scheme of things.

There were a few other scenes which in my mind could have been cut back, such as the meeting of the three trolls and the huge rock battle which really offered up nothing other than how good CGI can actually be.

The film may take a little bit to get going but when it does it feels like you were never away from middle earth, and I personally cannot wait to get back.

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The Heist – 2009

The-Maiden-Heist-2009A comedy centered on three museum security guards who devise a plan to steal back the artworks to which they have become attached after they are transferred to another museum.

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What we think:  There is a lot to be said for misinterpretation of a film, and when I saw The Heist or (The Maiden Heist as it is called) sat on the shelf showcasing the talents of Morgan Freeman, Christopher Walken and William H. Macy I naturally grabbed it straight away.

From first glance (see cover left) and from reading the blurb on the back it looked like a slick action heist film with an all-star cast, what you actually get is a complete polar opposite.

Freeman, Walken and Macy play three aging security guards at a museum who are all each fascinated with a particular piece of individual art.

Freeman and Walken stare for hours at a painting while Macy strips naked on his nightly rounds to pose next to a bronze statue of a muscled Adonis.

When the trio discover that the exhibits are to be sold off and to be moved to Denmark they set about concocting a plan to steal the originals and replace them with fakes before anyone notices.

So, it turns out not to be less of an action flick in the same vein as an Ocean’s Eleven but more of an abject comedy about old timers attempting a heist.

To be fair it’s probably one of the more successful films that director Peter Hewitt has done, Garfield and Thunderpants are not really high on my list.

It’s a lighthearted romp, Walken looks as withered as he ever has. Freeman’s turn as a slightly camp self-taught artist with odd looking hair is not one of the more conventional roles he’s played, and Macy still has a ripped physique even at his age.

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The script is not the best and the story-line could have been a lot better in places, but it’s the actors who make this film as they bungle their way from planning to execution of the robbery.

There are some funny moments including the art of abseiling down a building and Macy’s sudden need to strip down again during the raid.

Once I’d got over the fact that nobody was going to screw anyone over like most heist films and that there wasn’t going to be any twist ending, it turned out to be an enjoyable comedy.

I’m not sure how a $20m budget was agreed upon but I would bet that most of it went on salaries.

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Please feel free to leave a comment about this film, we would love to know what you think and we’ll do our best to respond!