Only God Forgives gets bad reception at Cannes

While Drive might have been a huge success for both director Nicolas Winding Refn and its lead Ryan Gosling it seems their new film Only God Forgives is not getting the best reception.

The film has been shown at Cannes recently and during a screening loud boos and jeers could be heard coming from some sections of the audience.

One of the stars of the film, Kristin Scott Thomas, has also expressed her views saying; “Films where this kind of violence happens, I don’t like watching them at all.”

The film in which Gosling looks to avenge his brothers death is particularly violent.

“When one character stuck his hand inside a woman’s slashed body, the audience locked and loaded its boos. Gosling doesn’t have much to say in this movie, but the auditorium sure did,” said Vulture’s Kyle Buchanan.

Jeffrey Wells of the Hollywood Elsewhere website was pretty scathing of the film.

“Movies really don’t get much worse than Nicholas Winding Refn‘s ‘Only God Forgives’,” he writes. “It’s a sh*t macho fantasy – hyper violent, ethically repulsive, sad, nonsensical, deathly dull, snail-paced, idiotic, possibly woman-hating, visually suffocating, pretentious.

“I realize I sound like Rex Reed on one of his rants, but trust me, please – this is a defecation by an over-praised, over-indulged director who thinks anything he cr*ps out is worthy of your time. I felt violated, sh*t upon, sedated, narcotized, appalled and bored stiff.”

However some where a little more kind with Guardian writer Peter Bradshaw describing it as “very violent” adding “Winding Refn’s bizarre infernal creation, an entire created world of fear, really is gripping.

“Every scene, every frame, is executed with pure formal brilliance. I’m afraid it’s going to be even nastier the next time I watch it.”

You can judge for yourself when the film is out in the UK on August 2.

Source: Yahoo Movies

My favourite action film

point-break-movie-posterAs a self-confessed action film junkie and whose film collection is littered with some brilliant classics and some that borderline on the totally ridiculous, I can fully appreciate what it takes to produce a decent action flick.

Action films seem to follow the standard template which include guns, explosions, girls, car chases and cheesy one liners.

Well, you’d be right to a degree, and that might have been the template for the 80s certainly, but action has got wise since then.

Of course you still get some of the budget blown flops (I’m looking at you Michael Bay), which still some how mange to pull in a modest box office haul.

Nowadays the paying public want a decent script, acting that is believable and characters that you actually care about.

But we’re a fickle lot and we don’t mind if some action scenes defy belief, we’re human after all.

I grew up during the 80s, a time when action films were rife with explosions, cheesy one liners and all of the above. I remember the first time I watched Predator on VHS, that was an action film that blew me away, and to be fair still does.

Aliens, was pulsating in space, you could sit back in awe of the martial arts in Bloodsport, and take you’re pick from the ludicrousness of Stallone.

Many action films have graced screens over the last three decades (I could sit here for hours and name a lot more), but there is one that stands miles above the rest, in my opinion of course.

Point Break shattered the mould for the action genre, firstly it had a female director in Kathryn Bigelow and featured an uber cool cast including two of Hollywood’s hottest actors at the time in Patrick Swayze and Keanu Reeves.

It had a credible story, a well constructed narrative that managed to hold it’s own from the opening to end credits. It was simple enough, Reeves’ special agent Johnny Utah looks to bring down a group of bank robbers called the ex-Presidents.

Bigelow managed to capture the gritty realism and build relationships between all the characters, Utah having to go undercover and get close to a group of surfers led by the adrenalin fueled Bodhi (Swayze).

There was a solid supporting cast, Gary Buseys’ Pappas was a masterstroke to the film, in what was a slightly comedic element. He was the dedicated voice of reason to Utah’s gung-ho special agent and it also continued the buddy cop element which is so prominent in most action films.

The action scenes were brilliantly choreographed from the sky diving to the infamous foot chase which culminated with the point-your-gun-to-the-sky-and-go-ahhhhhhhhh!

Point Break was all about not following the rules, not being a slave to society and trying to live the dream at whatever cost. Bodhi looked to exploit this in Utah and did his best to give him a taste of what his life could be like.

It’s the type of film that you could watch over and over and never get bored, with quotable lines, some excellent acting there is no question it is one of today’s cult classics.

 My top 5 Point Break Moments…

5. “Utah, get me two!”

The famous line quoted by Pappas while he and Utah stake out a bank across the road, it’s a line that’s been quoted by many a few times and there have even been a couple of YouTube videos to riff it as well.

utah-2

4. “This is not some job, flipping burgers at the local drive-in!”

In one of the film’s more light hearted moments Ben Harp () makes his feelings about the operation known to Utah and Pappas. Utah standing dressed in beach wear with a huge surfboard tucked under his arm.

As Harp’s temperature rises further he asks “Now for Christ’s sake, does either one of you have anything even remotely interesting to tell me? At which point Utah quips “I caught my first tube today… Sir.”

harp

3. “I am an F, B, I, Agent!”

Utah is pulled along for the ride when the ex-presidents look to take down their next job. Bodhi as cool as ever reels off some of the film’s best lines, in what has been a game of cat and mouse the whole way through.

FBI AGENT

2. “Adios Amigo!”

With Utah now rumbled as an FBI agent Swayze makes his escape in adrenalin fueled fashion, by plane. After taunting Utah, “I know you want me so bad it’s like acid in your mouth. But, not this time.” He throws his gun down and with a wink and a smile falls back out of the plane.

Swayze wanted to get the realism of this and so he actually got his sky dive licence and went back with a small crew to film the jump, now that’s dedication!

swayze skydive

1. Foot Chase

Utah pursues Bodhi through back streets, over fences and through people’s houses in what is a breath taking scene in the film. It’s tightly shot and just flows beautifully from start to finish.

point-break footchase

Do you agree with this? What is your favourite action film, leave a comment and let me know?

 

Nicolas Winding Refn talks Only God Forgives

It’s fair to say Drive was one of the hits of 2011,  directed  as a quiet yet moody looking wheel man who hires himself out for a no questions asked service.

Think The Transporter but a million times better.

Now Gosling is back in Only God Forgives, which looks just as moody and as violent as Drive was. Gosling plays Julian who runs a Thai boxing club that is a front for a drugs operation.

He has respect within the criminal underworld but feels empty and that his life is missing something. When his brother is murdered he sets out to avenge his death as instructed by his over powering mother ()

Below Refn discusses the thought process behind the film…

“The original concept for the film was to make a movie about a man who wants to fight God. That is, of course, a very vast obstacle but when I was writing the film, I was going through some very existential times in my life – we were expecting our second child and it was a difficult pregnancy – and the idea of having a character who wants to fight God without knowing why very much appealed to me.

With that as the concept, I elaborated by adding a character who believes he is God (Chang), obviously the antagonist, with the protagonist being a gangster who is looking for religion to believe in (Julian). This itself is, of course, very existential because faith is based on the need for a higher answer but most of the time, we don’t know what the question is. When the answer comes, then, we must backtrack our lives in order to find the question. In this way, the film is conceived as an answer, with the question revealed at the end.

With hindsight, I am able to see the similarities between Chang and One Eye in Valhalla Rising, and Driver in Drive – all are rooted in fairytale mythology and have difficulties living in the everyday world. I can see that technically, there is a resemblance in their stoic behavior, silence, and fetishistic portraits even though they live in different times and are portrayed by different actors.

In Valhalla Rising, One Eye is enigmatic – we don’t know his past but he is defined by his name. In Drive, Driver is defined by his function. And in Only God Forgives, Chang is first of all defined by his enigmatic behaviour, to such an extent that he becomes a disembodied character, an ‘it’, defined not by his name but solely by his image.

In a way, Only God Forgives is like an accumulation of all the films I’ve made so far. I think I was heading toward a creative collision, full speed ahead, in order to change everything around me and to see what would come after.

I have always said that I set out to make films about women but I end up making films about violent men. Now that everything is colliding, it may end up turning things upside-down for me. This collision is exciting because everything around me becomes so uncertain and we must not forget that the second enemy of creativity, after having ‘good taste’, is being safe.”

Check out some of the stills from the film as well…

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only god forgives2

Only God Forgives will open across the UK and Ireland on 2 August 2013, and will also screen in Competition at this year’s Cannes Film Festival.

Source: Live for Films

 

 

Watch now: Clip for The Internship

I’m not quite sure why you’d want to watch an extended clip of any film, kind of ruins it when you actually turn up at the cinema, and chances are the clips are usually the best bits.

the internship

That said, The Internship has released a first official clip online, in which Vince Vaughn and Owen Wilson’s redundant salesmen go for a job interview at Google.

The interview itself is conducted via a web cam, something which the pair have no real clue on the best way to conduct themselves, yet seemingly find a way.

I enjoyed Vaughn and Wilson in The Wedding Crashers and the pair’s on screen chemistry was one of the highlights of the film so its no surprise to see them reunited once again.

 

Take a look, below…

The trailer looks pretty decent with some hilarious scenes but we hope that it has a bit more longevity than what is condensed down into a couple of minutes.

Directed by Shawn Levy and co-starring Rose Byrne, B.J. Novak and John Goodman, The Internship opens in the US on 7 June 2013, with a UK date to be confirmed.

Source: Yahoo

Now You See Me poster

Now You See Me, the heist film centred around a group of magicians has a new poster.

Featuring an all star cast including  Michael Caine, Morgan Freeman, Woody Harrelson, Mark Ruffalo, Isla Fisher and Jesse Eisenberg the film’s trailer was pretty impressive.

Check out the trailer…

The film follows a group of illusionists who use there skills to pull off a number of daring heists giving the money to the poor, all the while chased down by the FBI and Interpol.

Looks good by all accounts and we’re expecting nothing to be quite what it seems.

Now You See Me is in UK cinemas from 3 July 2013.

now u see me poster2